After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --© Official Site
我喜欢的星期三为主角我很开心……但是剧情真的好无聊
他自己的温柔乡，雄鸡鸣叫，公路旅行。
挺好。还有风韵犹存的墨西哥老板娘在小镇开着店，“Until we find each other again.”全片也正如老爷子面对暮年的老狗所说： “我不知道怎么治愈‘老’，但今晚你们也许应该睡在一块儿。” 放下Macho的辉煌成就，让Cowboy好好地睡一觉吧。
轻松，随和，令人愉悦，影像的力量和舒缓的节奏缓慢地释放着影片的真挚感情。希望东木老爷保重身体，以后有机会继续拍出自己想拍的电影啊！
本来吧，西部，老少配，公路还有马，都是喜欢的能出彩的因素。可惜没听见响儿。
三星的故事，多一分给情怀。近几年最喜欢的还是《骡子》。
无神话的西部 与 有终点的公路，回首凡尘，那些属己之物真的不重要，德州也好，墨西哥也罢，心安即大地，东木与电影亦然。
救命，还我暗黑哥特风的Addams Family。就一公路旅行儿童片？
依旧是暗黑的温斯蒂为主角，但内核仍为有爱的搞怪一家。
我喜欢的星期三为主角我很开心……但是剧情真的好无聊
太无趣了，没内味了！！！！就是一个亚当斯的皮，本质是什么we are family，我真的会谢。。。而且动不动就唱歌搞什么鬼啊，太难看了！！！只喜欢片尾那段主题曲，其他的都不好看
怎么办就是很对我的胃口，在我痛点上优雅踩步的哥特风
剧作涣散到近乎瘫痪，没有真正的危机设置是致命问题。东木一直以来很喜欢塑造风流倜傥的自恋男，这其实是个减分设计，不酷，他不是史蒂夫麦昆那种型。
好像没啥gothic味道了，就一个普通的挽救叛逆期女儿和家人关系的动画片，也并不好笑。
被野心反派顶上利用虽然是典型动画电影的套路 我倒是不介意用在亚当斯一家身上 Lurch弹琴小细嗓哈哈哈哈哈 Fester变成章鱼之后身上还有油花反光的效果天啊 依旧日常式姐弟相杀和满满的吐槽梗 每个人都是不可或缺的唯一
7/8 剧情确实嗯.. 但没办法 太爱亚当斯了
哥特元素越来越少了，剧情也略无聊...可我真的好爱这个ip，期待电视剧
全部人物ooc的合家欢，加上公路片和90分钟的流行文化，浪费时间看这个
两星半 片方看星期三人气高给做的吧 但是感觉把握不住人设
看评分以为扑街了，看到一半两星预定，全看下来又觉得也没那么糟糕...还是逃不掉对东木的粉丝滤镜。
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