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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
因为一种“我想做点什么”的朴素心情伸出的援手，在美国空域关闭的背景下发生。紧急状态下维持多元的自由国际主义童话，节奏很快，笑点很多，我看的时候却久久不能摆脱那种讽刺感，911啊911，在三十多分钟的时候，中止罢工的校车司机，带着非洲人到救世军营地，非洲人不肯下车，语言不通，校车司机看到对方捧着圣经，圣经的章节编号总是一样的，“看，腓利比书4：6”，Be anxious for nothing。“我们就是这样开始说起了同样的语言”。啊。还是随之泪目了。以及美国第一位女机长，在讲述自己成长的漫长故事之后，说我最爱的被用作炸弹，啊。我知道这只是stop the world 的小岛呼告，但我想世界本该如此。
不同风格的一部音乐剧，官方影像音效好像做的有点问题
“Fourteen months into the shutdown. The first audience returns to Broadway. “两行字一出来就泪了
Something is missing but I'm here. 前半段航班人员被困的经历，在当前疫情封闭管控的魔幻现实面前显得微不足道。但后半段确实鼓舞人心，重要的是在经历这一切后我仍在这，在困境中寻找快乐，宛若重生。
人性的光辉时刻。特别在今年奥斯卡这么烂的情况下，期待一下托尼。不过911和双伊、伊拉克战争其实是有因果的。
正能量，流畅，演员ok，积极向上，歌好听，不错
欢快又充满力量的歌舞片，对人性有力的赞颂。虽然来自远方，但彼此没有距离。最后演奏家集体演奏的《Screech Out》真的太嗨了。
离别是：今日舟与车，并力生离愁。明知须臾景，不许稍绸缪。
看过的第一部电影形式的歌舞剧，911并没在我年少的记忆力留下只字片语，简单被归类为“其他国家”“恐怖袭击”，却从未想过其他连锁事件还有如此影响力。一方舞台，十几演员，多想让世界就此停止旋转。人之所以称为人，人性虽不分国籍，但只有在灾难前才能彰显。
真是以小见大的好作品！用纽芬兰小岛上的温情和爱来对抗人类历史上最具毁灭性的恶性事件，非常令人感动！对迫降事件后，社区各个层面的反应刻画得也非常还原。考拉唱得真好！
严冬之日，波涛之上
真的太受震撼了，第一次受到震撼是入坑之作伊丽莎白，被编排舞美歌曲合唱各种震撼到。来自远方布景简单，但是给我各种意义上的“华丽”感，开场就敲击我大脑的合唱，人物动线紧凑，舞蹈编排，角色切换，场景迅速的变换，几十把椅子从酒馆到飞机，到巴士到小学，十几个人演绎出了这个从九千人一夜之间成为一万六千多人的淳朴小岛，机长的唱段，真的让我感受到了飞在空中的眩晕感！这部太值得看了，无论是故事里触动人心的点，还是这部剧本身的艺术功底，都很值得看！希望疫情早日过去，能在剧场相见！
可能这是我注定无法欣赏的一部音乐剧了，群像太多太杂随意转换，一直处在一种情绪很饱满激动的状态中。第二次坚持看到1/2又失败了… 唉，可能是我不懂欣赏吧。
整部剧的基调是自由主义式的，或许这才是正确对抗恐怖主义的途径。用融合代替隔离，用积极代替阴郁，用好好生活代替暴力反应。这部剧是在支离破碎中开出的鲜花，远比美军践踏阿富汗这20年取得的成绩都大。
好看，音乐和故事层层递进。从纽芬兰的角度讲述了911事件的过程。整部秀当中不乏突兀政治正确之处，但还是从整个应急事件中看到对人的尊重。
演员太强了！换身衣服就是另一个人，一人n角毫无违和。女机长戳到泪点了……就很可惜去年疫情没看成现场
爱与共情，可赞的人类。像这样优秀的音乐剧可以多来点。
其实历史永远不应该只有一面
泪目了好多次，到最后消防员母亲得知噩耗的时候终于绷不住了，曲风虽然不是我喜欢的，但是从纽芬兰岛这个角度看911的取材非常特别且意义非凡
19年最爱的一部 第一次看到戏剧可以这么没有边界 可以这么复杂却简单 这次线上看没想到泪点竟从抽离瞬间的dover fault——Nick的独白开始。可能是最近分离太多了。剧里面有一句说美好的事物都不能长久。希望前一半是真的 后一半是假的。
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