Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
OMG女通讯录终于能看点老套但轻松可爱活泼有趣养眼的青春校园片了🤣
强力推荐，看了两遍给我看明白了因为第一遍要看字幕，的确有点迪士尼那味，看个动漫怎么认真干嘛~好歹作者给了给HAPPY END 萝卜白菜各有所爱！没人给我剧透真是太好了，还有人跟我说后来变人了所以我才来看了0w0？！动画细节我觉得挺丰富的了，描写了每一个角色的心理细节 这些年吃过的刀也是不计其数了还以为就是怎么故事结果中途给我来了一个大反转我是真没想到的，喝作者老是晃我一刀，用背景音乐和“这个问题是命令吗 ”隐约的让我认为 ai 诗音后面可能要暴走勒。结尾还是挺令我满意的要是能看到诗音酱能有新的素体再会就好了= =
看完了，迪士尼公主穿越日本二次元的歌舞片，还行还行，没什么特别槽点
最爱的音乐是一些悲伤的暗恋情绪。
看海報就猜到了全部內容，其實這是青春裡經常會發生的很正常的事。羨慕女主的生活環境。
年轻人的爱情，异性恋那一对笑死了，时时刻刻都在亲
看到腳本有大河內本來還擔心了一下，果然有人管他還是正常的（劃線
和《真心半解》的风格不太一样，但意外地挺轻松好看的。King Pun（双关画家）的设定非常有意思，自己给自己的评论区已经预留好一篇帖子了，整理下这些好玩的英文双关，复习复习英文单词。
好甜，谁说校园女同尴尬老套的？恐女同直说😡
美国版的糖水片，是有点甜，但除了甜没有别的味道。
最近好多甜甜的同性恋青少年影视噢～虽然也就是看了两部～真的有被这些可爱到QAQ
酷儿电影的新方向，不再专注于出柜或者应对无休止的恐同，而是专注于queer joy纯粹讲述一个爱情故事，正常化LGBTQ爱情 啊啊啊啊甜死我了啊啊啊啊啊啊啊啊啊啊love triangle、青春校园、体育队x艺术家，设定太可爱了呜呜呜呜继真心半解后又一嗑爆炸的爱情/浪漫/艺术姬片呜呜呜呜太多蠢兮兮nerd里nerd气的puns了我真的好喜欢没办法我就是个nerd，女性编导就是好！！！ 电影里非常supportive的妈妈和开放的学校环境我真的是嫉妒死😭
非常普通的故事，甚至在几个主角之间也没get到太强的CP感，更像是一个片段式的故事，为了一个注定的结局，所有人物都像Npc一样推进。只能说，青春无敌，画面美丽。
Awwwww thats so cute 轻松愉悦的青春校园恋爱 好喜欢女主妈妈喔好酷哈哈哈哈
十分的lgbtqia+，这在米国也是小众电影啊。。。
很无聊但很可爱，如果不是同性题材也许就是一个普通且老套的校园青春电影，但喜欢这部影片没有把同性之爱刻意小众化或刻意强调，而是当成了寻常开放的爱情来讲，酷女孩儿真好真讨人喜欢啊！
THE lgbt teen romcom I’ve been waited for!
十年前的美国青春片：唱歌、跳舞、追梦、反抗mean girls、爱上吸血鬼；如今的美国青春片：LGBT🏳️🌈。
看完听一晚上phoebe bridgers
可爱欢脱的姬情片，故事实在老套，开头AJ撞到女主时就已经猜到结局和情节走向了；不过还是希望类似平淡欢乐的片子能多来一点，治愈下被文艺be蕾丝片们伤透的心。
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